David Lazar: South Asia Collection

Photo © David Lazar-All Rights Reserved

It's not the first time that I post about David Lazar's excellent work on The Travel Photographer's blog. Far from it. But he has just revamped his website, and it has vastly improved the layout of his many collections.

He suggested that I feature his new Kenya gallery which he titled Wildlife & Warriors which has photographs of Masai tribal people, but since I have recently had a post about the Masai, I thought I'd choose his South Asia Collection gallery to headline this post instead.

David is a travel photographer and musician from Brisbane, who is drawn to locations with rich cultural backgrounds, and is especially interested in portrait and landscape photography. His work is frequently published in photography and travel magazines, and in 2012 he won the Travel category in the Smithsonian Photography Competition.

He has been travelling annually since 2004, the year in which he became interested in travel photography.

No two ways about it....this is travel photography in the very sense of the word!

Lisa Kristine: Bhutan

Photo © Lisa Kristine-All Rights Reserved

Lisa Kristine has been in the news with her recently published book Free The Slaves, and her talk at TEDxMaui about her photographic work. She has worked over the past 28 years documenting indigenous cultures in 70 countries on 6 continents around the world, and involved with Free the Slaves, an organization whose goal is to end slavery.

Notwithstanding the undeniable virtues of her involvement in using her photography to document the scourge of modern day slavery, I feature instead her lovely work of Bhutan which is representative of the best of  ethnographical fine art photography. Toned to perfection, these images are just superlative and were made with a large-format 4″x5″ field view camera.

POV: Bhutan...No More Shangri-La?

Photo © Tewfic El-Sawy-All Rights Reserved

Is Bhutan no longer the "Shangri-La"?

I've traveled to Bhutan no less than 5 times over the past 12 years, leading photo expeditions that were extremely popular and were well attended. These photo expeditions were especially enjoyable, provided its participants and myself a solid inventory of photographs of Bhutan's unique culture, traditions and religious festivals, and were trouble-free.

However, over my last three photo expeditions in 2006, 2008 and 2009 I noticed changes...some subtle and others not so subtle. Tourism had progressively become a huge business. The guides and fixers we had on these photo expeditions have become tour operators themselves, luxury hotels chains (such as the Aman Resorts with already 5 properties in the country...Thimpu, Paro, Gangtey, Punakha and Bumthang, with the Taj and Uma chains) are building properties, and there's now a domestic airport in central Bumthang for those who want to fly from Paro, instead of driving for a couple of days.

Shane Green, a photographer who's joining my forthcoming photo workshop in Vietnam, just returned from Bhutan along with his wife, and emailed me his impressions, and they confirm what I have sensed and noticed over the past few years.

Yes, Bhutan is still a wonderful country to visit, and the Bhutanese are some of the most gracious people one can hope to meet, however exploding consumerism, modernisation and urbanisation are taking their toll. Thimpu seems to be a huge building site, with many leaving their rural living to make a living in its capital.

In 2009, I recall having a cappuccino with a Thimpu resident in a Starbucks look-alike cafe and then playing snookers (and drinking too much beer) at a sort of watering hole with some of my group, amongst Bhutanese teenagers. And yet, a few days before, dinner in a Jakar hole-in-the-wall, consisted of Tibetan momos cooked the traditional way in a dingy smoky kitchen.

It wasn't too long ago that most, if not all, Bhutanese women had their hair in pageboy cuts, but with the advent of television bringing with it 46 channels exposing people to Indian (and others) programs, they started to grow it, following the Bollywood fashion.

Shane went as far as remote Ura, in the central Bhutan, where I don't recall seeing any tourists there as recently as 2009...and yet now, tourists outnumbered the local audience at its annual festival.

Is it over for Bhutan as a specialty destination? I hope not...but I don't see how its tourism authorities can retain the country's cachet against an encroaching modernism, especially with a population that seeks a more affluent standard of living brought about by tourists and other sources.

After all, look at what's happening in Siem Reap...and Angkor!

I predict it won't be long before the Ugyencholing elderly man in this post's photograph will be holding a Blackberry or a Nokia...if he doesn't have it already.

Mary Calvert: Bhutan: The Art of Archery

Photo © Mary Calvert-All Rights Reserved

Bhutan's national sport is archery, and Mary Calvert documents the sport in her Bhutan: The Art of Archery photo gallery.

In Paro, I witnessed a couple of these archery contests, some impromptu and others more elaborate, in the valley where one could see the famous Tiger's Nest monastery. Apart from these contests being raucous, and during which I was told that opponents were fond of distracting each other by insulting each other, they are taken very seriously by participants and spectators.

There are two targets placed over 100 meters apart and teams shoot from one end of the field to the other. Each member of the team shoots two arrows per round. Traditional Bhutanese archery is a social event and competitions are organized between villages, towns, and amateur teams. 

Mary F. Calvert is an award winner photographer who worked as a staff photographer for eleven years on the award-winning staff of The Washington Times. She will be teaching Intermediate photojournalism at the Corcoran College of Art + Design in Washington D.C. In addition to being a guest faculty member of Momenta Workshops, the Western Kentucky University Mountain Workshops, the NPPA’s Flying Short Course, and the Eddie Adams Workshop, she has been a member of the faculty for the Department of Defense Worldwide Military Photographers Workshop in Ft. Meade for the last fourteen years.

She was honored with the Robert F. Kennedy Journalism Award in International Photography for her project, “Lost Daughters: Sex Selection in India” in 2008,  and was awarded the White House News Photographers Association Project Grant to document sexual violence in the Democratic Republic of the Congo.  Some of her clients include The New York Times, The Los Angeles Times, AOL, The New York Post, Inside Counsel Magazine, McClatchy-Tribune Photo Service, The International Herald Tribune,  Le Monde, Mother Jones, and The Christian Science Monitor.

POV: The Dove Whisperer & Storytelling

Photo © Tewfic El-Sawy-All Rights Reserved

Regular readers know that I've joined a new storytelling website called Cowbird, and have already posted a couple of mini-stories.

I've just started a few days ago, and I've realized a couple of interesting things. First off, the community of Cowbird are not professional photographers...there are some, but the majority describe themselves as storytellers not as photographers. Secondly, haphazardly eyeballing members' pages, tells me that the majority of them reside in the United States, and by definition tell local stories.

But here's what's interesting as far as I'm concerned. The most popular story among the four I've published so far is The Dove Whisperer. I think there's a number of reasons for that. It's very brief, it's simple and it's touching...and it was one of the 'recommended' stories on Cowbird.

In my multimedia workshops, I stress that stories need to be brief, simple and compelling. So it's not surprising that The Dove Whisperer is more 'magnetic' than the rest of my stories.

And one more thing...and I also stress this in my classes, choosing a title that resonates with one's audience is almost half a battle won. We all know that a title that is mysterious, compelling, unusual but also descriptive is extremely important to the success of one's project...be that a book, article, multimedia slideshow or movie.

I don't know how Cowbird, which is still in its infancy, will evolve and mature....but the possibility of reaching a large (or I should say, a different) audience for my stories through its platform is exciting. 

Finally, The Dove Whisperer was a forgotten moment experienced in Bhutan in September 2009. I was shooting in a small monastery in Jakar when this elderly man appeared with a dove under his arm. I asked what he was doing, and was told he was a bird healer. He was known to tend birds that had broken wings, and released them once they could fly. 

The whole thing didn't last more than five minutes, and yet when I was thinking of a story for Cowbird, I remembered it, searched for the photograph and it was on Cowbird in less time.

It's funny how things remain in the recesses of one's mind, and pop out at the right time.

In Focus: Bhutan

Photo © Paula Bronstein-All Rights Reserved

In Focus, the photo blog of The Atlantic, is always a must-see for me. This week, it features the photographs of Adrees Latif, Paula Bronstein, Singye Wangchuk, Kevin Frayer and others of the Kingdom of Bhutan.

As most know, Bhutan is a small Himalayan country east of Nepal, nestled between China and India, with an estimated population of 700,000. It's one of my favored destination for my photo-expeditions, and for many good reasons. It's a gorgeous country, with incredible religious and cultural traditions that are both mesmerizing and extremely photogenic. Its people are some of the most gracious and hospitable I've ever met, and I've never been disappointed in the image inventory I return with from my trips there.

If viewing the photographs on the In Focus photo-blog whets your appetite from more imagery of Bhutan, you can visit some of my own galleries and audio slideshow.

These are The Dancing Monks of Bhutan, Buddha's Apprentices and Cham!...but be warned, you might well decide to book your flights to Bhutan soon afterward.