Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

Muhammad Fadli: The Wa People

Tuesday, November 13, 2012

Photo © Muhammad Fadli-All Rights Reserved

I stumbled on the website of Muhammad Fadli, an Indonesian travel and documentary photographer, whose various galleries include photographs made in Taiwan, China, India, Singapore, and his native country.

I favored his work from Wengding, a Wa minority village in Yunnan which he titled Wa Frontier. Wengding is about 20 miles from Cangyuan county seat. The village is made up of 98 families who've kept primitive Wa residential architectures and ethnic culture. It has been the best-conserved primitive ethnic community and the must-see tourist site in Lincang Municipality.

You'll see images of buffalo skulls in the gallery, and that's because the Was used human skulls in their religious rituals, which included sacrifice to the God of Rice. These have been replaced by buffalo heads which are a symbol of wealth.

As for the woman with blackened teeth in the above photograph; blackened teeth is relatively common amongst ethnic minorities and tribes in Vietnam, China, Laos and Cambodia. Most of us have noticed that some Asian women cover their mouths when talking or laughing. This is a remnant of a superstition that exposing teeth is uncivilized savagery, and that's the reason behind blackened teeth. In Vietnam for example, the original rationale for blackening of teeth at puberty was the assurance that one would not be mistaken for an evil spirit!

Monica Denevan: Burma

Friday, July 20, 2012

Photo © Monica Denevan-All Rights Reserved

I'm glad to have found Monica Denevan's website with its gorgeous photographs of Burma and China. Trust me...you will find that her some 120 photographs are indeed luminous and gorgeous.

Monica travels with her medium format Bronica, one lens, and a bunch of plastic bags filled with Ilford Delta 400 film. She tells us that her photographs are printed from negatives in her traditional darkroom and selenium toned.

Classic photography in the full meaning of the word, and the farthest thing from the Instagram and Hipstamatic fad.

Born in San Francisco, Monica studied photography at San Francisco State University. She started visiting parts of Burma and China for many years, and always had her Bronica along. Her work was published in ZYZZYVA, Communication Arts Photo Annual, SHOTS, Black and White Magazine, The Photo Review, The Sun, and Artvas-The Photo (Korea) among others.

She is represented by Scott Nichols Gallery in San Francisco, Duncan Miller Gallery in Santa Monica, Capital Culture Gallery in London, and Tao Evolution Gallery in Hong Kong which produced a small catalogue of her work. Monica’s photographs are in the permanent collection of UCSF Medical Center.

Kevin WY Lee: The Return of Hundred Daughters

Tuesday, July 10, 2012

Photo © Kevin Wy Lee-All Rights Reserved
"...a fortune teller told my grandparents that demon gods wished harm upon their first-born son. So when my father, the only son in the family, was born, they named him Pak Noi – Hundred Daughters – to fool the demon gods."

Kevin WY Lee is a photographer based in Singapore, whose creative work was honed in Australia and Singapore for more than 15 years. He's the founder of Invisible Photographer Asia (IPA); a well known multi-faceted platform for Street Photography & Visual Journalism in Asia. He also participated as a judge for various creative and photography awards including Singapore Creative Circle Awards, Angkor Photo Workshop, and KLPhotoawards.

Kevin's just recently featured a fascinating photo essay which chronicles the return of his father to his  ancestral home in Zhaolong Li (mainland China) after a prolonged absence of almost 56 years. He was accompanied by his wife, his sisters and families as well as his only son, Kevin...who documented this incredibly touching and intimate experience, and recorded it for posterity.

Because of a fortune teller's tale, Kevin's father was named Pak Noi (Hundred Daughters), and it's utterly appropriate it's also the title of this very well done photo essay.

As I'm fond of stressing in my multimedia classes, a photo essay of that type is always successful if it has two main ingredients: access and intimacy. The Return of Hundred Daughters certainly has both.

I only wish it had an accompanying audio track to it...but perhaps not having one was a conscious decision by the photographer.

Mauriã Rodrigues Sabbado: Opera Of Sichuan

Tuesday, July 3, 2012


Photo © Mauriã Rodrigues Sabbado-All Rights Reserved
I was glad to see that Mauriã Rodrigues Sabbado, a Brazilian photographer and a member of my class Introduction To Multimedia Storytelling at the Buenos Aires Foundry Photojournalism Workshop, has recently updated his website with six photo galleries.

Mauriã's documentary photography is centered on Asia, and particularly on Tibet and China. I highlight his gallery Sichuan Opera, which documents a troupe whilst preparing for a performance, and the actual performance itself.

Sichuanese opera is a type of Chinese opera originating in China's Sichuan province around 1700, with Chengdu being its main home. It's well known for its singing, which is more free than the popular Beijing opera form. Sichuan opera is more like a play than other forms of Chinese opera, and the acting is very professional. The music accompanying Sichuanese opera utilizes a small gong and a two stringed traditional "violin".

HEROES of Sichuan Earthquake

Thursday, May 22, 2008

I received an email from friend this morning, I know it's off topic in this blog. But I decided to share with you all.
I'm sorry if the pictures make you cry.....

DEDICATED TO THE BRAVE PEOPLES IN SICHUAN EARTHQUAKE, 2008


















Tribute to all the heroes...........






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