Ed Peters: Beyond The Indus

Photo © Ed Peters-All Rights Reserved

"It’s the challenge of capturing the texture of life, created by these contradictory elements, which draws me to India’s streets." -Ed Peters

And so writes Ed Peters prefacing his Beyond The Indus photo gallery... and what a photo gallery of captured moments of life! Just take a look at the photograph above...a man asleep, horizontally inert..and sort of Hindu angel floating above him, next to an askew small painting of the Taj Mahal, and a sliver of a woman staring at the photographer...

I was torn between featuring Beyond The Indus or Mexican Proximity (many of the photographs are from Oaxaca, my favorite Mexican town), but I decided to feature Ed's work from India because I was so taken by the above image.

A New York-based retired photojournalist, Ed is a Leica M9 user, as well as a Canon 5D Mark II for his photographic work. Possibly influenced by the work of Costa Manos and Alex Webb, Ed is obviously drawn to color...to the interplay of contrasts between shadow and light...and to the streets.

In an interview with Leica Liker, this is what he says about why he does street photography:

I find it enjoyable. Otherwise why bother? I like the process of walking, the challenge of making successful images, and the element of gamesmanship involved.

I couldn't have said it better myself.

Ed Peters worked as a freelance photographer, before joining the staff of The Star Ledger in Newark, New Jersey. He subsequently relocated to Asia where he photographed the plight of Burmese refugees, and the pro democracy movement in Nepal. Returning to the United States, he joined a photo agency and photographed a wide variety of stories. These include the famine in Somalia, war in the former Yugoslavia, traditional wrestling in India, and the continuing AIDS crisis. He is now focusing on his personal work, especially street photography.

Chico Sanchez: La Guelaguetza

Photo © Chico Sanchez- All Rights Reserved

As part of the celebrations in honor of the Virgin of Carmen, residents from Oaxaca state's eight regions travel every year to the capital to offer traditional dances, while the residents from Carmen Alto and Carmen Bajo neighborhoods participate in banquets, offerings and processions throughout the city....and this is how Chico Sanchez describes his latest audio-slideshow Deep Friendship.

The Guelaguetza is an annual indigenous cultural event in Mexico that takes place in the city of Oaxaca as well as in nearby villages. The word Guelaguetza means "offering" in the Zapotec language, but its means much more. In traditional Oaxacan villages, people attending the festivities bring food, alcoholic beverages, etc. Each person's offering, or "guelaguetza" triggers a reciprocal exchange, and enables the reinforcement of social ties.

Chico Sanchez is far from being a stranger to The Travel Photographer's blog. His audio-slideshow work has been featured on it on many occasions.

He is a freelance photographer based in Mexico City. Chico worked in Venezuela, collaborating with Reuters, European Pressphoto Agency, Agencia EFE, and freelances for various newspapers and magazines.

The Frame: The Virgin Of Guadalupe

Photo © Anita Baca-All Rights Reserved

Did I realize that the church of Our Lady of Guadalupe on 14th Street (not far from where I live in New York City) would commemorate one of Mexico's most important religious holidays this past Monday? Of course not. I only find out stuff like that after the fact.

However, The Frame of The Sacramento Bee has featured 17 photographs of the celebration of this popular religious festival in Mexico City when millions make the pilgrimage to honor the dark-skinned virgin, said to have appeared to an Indian peasant on Dec. 12, 1531.

According to the captions accopmpanying the images, an estimated 5 million people from across Mexico arrived at the basilica Monday carrying large frames, wooden sculptures and ceramic statues of the virgin on their backs. The Nuestra Señora de Guadalupe is recognized as a symbol of all Catholic Mexicans.

I chose to feature Anita Baca's photograph (above) showing a pilgrim who journeyed by foot from the state of Hidalgo, posing for a photo in front of the image of Our Lady of Guadalupe, while a fellow pilgrim stands by, not only for its colors but for its composition. Notice how the curve of the dark sombrero matches the curve of the icon.